Guest Lectures 2025
Olga Goriunova
The Ideal Subjects of AI
The lecture presents the key arguments of my forthcoming book which explores how data
and artificial intelligence abstract people into new kinds of subjects. It argues that digital
subjects are not extended selves but abstractions that operate at a distance from us,
where agency seems to be removed from our reach but which is also a condition for the
possibility of agency. Modelled and predicted, abstract subjects do not have untroubled
correspondence to actual living people. They are not us, and yet they are no one else than
us. How is it possible?

To come back to us, digital subjects engage our desire. We come to desire these
abstractions that offer us objective truths about us and the world, to be recognized or
otherwise dealt with subjectively. Thus, we inhabit abstractions through desire and as
ideals. The book–and this talk–argues that the intersections of data patterns, computational
models and scientific frameworks formulate ideals as possibilities for kinds of personalised
and yet still group subjects. Desiring the ideal subjects of AI (such as those of profiling) is
simple because we are already trained to desire abstractions such as the normal and the
best or have learned to be undone by them. The ideal then is about how abstractions are
used and how people live by them, becoming subjects.

Finally, ideal, abstract subjects get grounded by using modernity’s imaginary that
there are “real” people, “down there”, underneath the proliferation of probable subjects,
constructing the body as an anchor and arranging data worlds into one singularly possible
reality.
  • Olga Goriunova
    Professor of Media Arts at Royal Holloway, University of London
    Olga is a cultural theorist, working across technology, philosophy and aesthetics. Her latest book, Ideal Subjects. The Abstract People of AI(2025) explores how data and artificial intelligence abstract people into new kinds of subjects. The questions of subjectivation in relation to art and technology have been central to her work. Her previous book, Bleak Joys. Aesthetics of Ecology and Impossibility (co-authored, 2019) explores aesthetics, ethics and ecology during times of multiple crises. This work traces connections between large scale systems such as ecologies, technical infrastructures or mechanisms of calculation and processes of subjectivation. Her first book Art Platforms and Cultural Production on the Internet (2012) conceptualises aesthetic and political engagements with technology at the dawn of the World Wide Web, proposing the concepts of organisational aesthetics and art platforms to understand collective art practices and art movements of the 1990s and early 2000s. This book is based on her work as a co-organiser of software art repository Runme.org and a co-curator of software art festivals (four editions of the Readme festival between 2002 and 2005 in Moscow, Helsinki, Aarhus and Dortmund) and other exhibitions. She edited or co-edited four Readme publications, the most significant of which is Readme. Software Arts and Cultures (Aarhus University Press, 2004). She is also the editor of Fun and Software: Exploring Pleasure, Pain and Paradox in Computing (2014) and a co-founder and co-editor of Computational Culture, a Journal of Software Studies.
Heiner Goebbels
To Be Announced
  • Heiner Goebbels
    German composer and director
    Born 1952, living in Frankfurt/Main, belongs to the most important exponents of the contemporary music and theatre scene. Graduated in sociology and music, he composed and created internationally celebrated music-theatre works, staged concerts, radio plays, sound- and video-installations, compositions for ensemble and orchestra (Surrogate Cities, A House of Call a.o. CD productions for ECM Records).
    1999–2023 — Professor at the Institute for Applied Theatre Studies and Centre for Media and Interactivity at Justus Liebig University Gießen. Artistic Director of Ruhrtriennale — International Festival of the Arts
    2012–2014 — Anthology “Aesthetics of Absence”. Numerous international awards (Prix Italia, European Theatre Prize, International Ibsen Award, Grammy nominations a.o.)
Research and Educational Advancements in Culture and Technology
20-21 October 2025